The Green Library Listening Closely: Music Lecture Series. is returning for the fall 2017 semester!
Wednesday, August 30, 1pm, Tom Moore, FIU, "Brazilian Popular Music: Samba to Hip-Hop," GL 220
Brazil, the largest country in Latin America, stands out from the rest of the continent through its heritage of the Portuguese language, and the importance of the African diaspora to its culture, and especially its music. This lecture will take a whirlwind tour through the Brazilian popular music of the twentieth century, presenting genres including choro (popular instrumental music), samba, bossa nova, MPB, rap and funk.
Thursday, October 19th, 3pm, Michael O'Connor, "Thomas Coates: Father of Band Music in America," GL220
In February 1862, the 47th Pennsylvania Volunteer Infantry disembarked at Key West, Florida. Included in the regiment was a fine brass band, led by Thomas Coates. Musicians in Key West likely knew his name, since Coates was one of the most highly regarded composers of brass band music his day. Yet, while his contemporaries such as Claudio Grafulla and Patrick Gilmore are remembered today, Coates’s name has slipped into obscurity. Astonishingly, his monument in Easton, PA bears the inscription, "Father of Band Music in America." How did this so-called father of band music slip into such obscurity? Thomas Coates was a key figure in the establishment of the modern wind brass-and-reed wind band in the U.S., and he was a musical innovator who pushed the established conventions of form and harmony of the idiom. This lecture seeks to “re-place” Coates in the historical narrative of nineteenth-century wind-band music and discuss the challenges of realizing his music in our time.
Thursday, October 26th, 3pm, Lansing McLoskey, "Composer McLoskey Presents His 'Zealot Canticles', GL220
The proverbial "Three B's" for Lansing McLoskey were not Bach, Beethoven and Brahms, but rather The Beatles, Bauhaus, and Black Flag. His first experiences at writing music were not exercises in counterpoint, but as the guitarist/songwriter for punk bands in the 1980s. It was during these years in punk-rock that he first developed a love for classical music (but that's another story). McLoskey spent 20+ years as an early music singer/conductor, and has a special interest in composing for voice. He has written for some of the preeminent vocal ensembles in the world, including The Crossing, The Hilliard Ensemble, Cincinnati Vocal Arts, ensemberlino vocale (Berlin), Liber unUsualis, Tapestry, and Boston Secession. His music has been performed in eighteen countries on six continents, and has won more than two dozen awards, including two from the American Academy of Arts and Letters.
Thursday, November 16th, 3pm, Will Moore
Thursday, November 30th, 3pm, Rob Haskins